City of the Infinite Present

[This, and following images: Jianyeli, Shanghai]

The architecture of Shanghai did not develop along any set linear trajectory: it is a city “unstuck in time.” Beautiful French chateaus mimic styles from centuries earlier. Victorian villas stand side-by-side with international style modernism and art deco apartment towers. The Oriental Pearl – built in the 1990s – could have been an Expo centerpiece in the late 1950s (or a comic rocketship design in the ‘30s). Continue reading

About Face

[The Bund, 2010]

In a recent, fragmented history of Shanghai, Jeffery Wasserstrom suggests that Shanghai is, in its current incarnation, a city of facades, of appearances, and above all of exhibition. This goes beyond the recent World Expo, which could be seen as a momentary acceleration and intensification of long-running threads of exhibitionism that run through the city’s history.

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